[from Durham, NC] a top
show – their album is called ‘Genuine Negro Jigs’ and that’s a pretty perfect
description – this show was being broadcast live over a radio station in
Chicago – the formal setting of chairs and big cameras and big lights might
have made them uncomfortable because all three sat stiff and unsmiling while
they were waiting to play – they came alive with a vengeance once they started
to play, adding dancing and facial expressions and stories to the music – ended
up being an incredibly charismatic band - in addition to encompassing all
artistic aspects of the music, they embrace it anthropologically, which is
transmitted to the crowd with little spoken bits in between each song
– they alternated
through finger clackers, dobros, banjos, fiddles, a jug and a kazoo – they
encouraged the audience to sing along to their first song ‘Don’t Get Troubled
in Your Mind’ – they got their next song ‘Georgia Buck’ from Joe Thompson, an
old guy who taught them a lot of what they know – they switched into early jazz
with Papa Charlie Jackson’s ‘Your Baby Ain’t Sweet Like Mine’ – highlights: 1)
‘the jug solo’ as Rockboy called it, 2) Rhiannon’s barefoot tap-style dancing,
and 3) realizing the kazoo is responsible for that wacky old-timey vaudeville
sound
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