Dan Bern - Doverlaff House Concerts, Portland, OR - October 19, 2018

[from Iowa] I had conflicts this night, in all sorts of ways. A Goner Records band was playing in Portland but this was the first Doverlaff House Concert with an artist I actually know, Dan Bern. By “know,” I mean I am aware of one song from him, “American Language,” and I really like that song. So I was double-booked… torn between two worlds … : old people, punk people. And then Music&Ducks was trying to lure me to some other show (King Kahn, I believe). We went our ways. Dan Bern was not at all what I expected. First, his voice (especially his spoken voice) is seriously unusual, sort of cutesy/weird/nasally, a cross between an average farmer guy & Pee Wee Herman. But, if it’s a persona, he never loses it. But then his singing voice is pleasing. Although Dylan’s voice on most albums irritates me to no end, he’s got some Dylan. He had Dar Williams’ sense of humor (her song, “The Pointless Yet Poignant Crisis of a Co-Ed” is extremely and enduringly hilarious). He did a Hanukah song that made me think of Adam Sandler. Jonathan Richman. But all of these are artists I only have a low tolerance for. He sings with a lot of face movement. Lots of his singing is more speak-singing. A lot of his songs had this trick of up-going phrasing.  His songs are super literal, sometimes poetic or referential. He could be imaginative and tangential. “I speak later in the day lately.” “There’s a black tornado spinning in my body” He sings about average man stuff: sports, clothes. He likes being cynical. He likes evoking cultural history (“got to make love to my babe in the Chelsea Hotel” “Marilyn Monroe didn’t marry Henry Miller, but if she did he would have taken her to Paris” “it was me and Leonard Cohen in a dark room”). There wasn’t really a point to these references. His between-song stories were the same. He had this terrible incident with a snow blower that messed up his hands so it was his first time back on guitar. He sometimes played a 12-string. He sometimes played a harmonica. I was in an exceedingly bitter mood, but I found him sort of internally young, class clownish, insecure. He did receive money for doing the theme song for the Stinky and Dirty Show, something about a garbage truce and backhoe loaders. He is clever. To counter my bitter mood on this night, here are my favorite lyrics from “American Language”:
She said, "Love, love, love is everything."
I said, "Ok, I guess, whatever."
She said, "What does that mean?"
I said, "Nothin. It's just good to have a backup plan."

She said, "I guess that means you don't got love."
I said, "Maybe I love everyone."
She said, "That's the same as lovin no one."
I said, "Ok, I guess, whatever."

And I have a dream of a New American Language
One with a little bit more Spanish
I have a dream of a new pop music
That tells the truth, with a good beat and some nice harmonies
I have a dream
I have a dream

Tourist towns are a drag sometimes
But in non-tourist towns you can get beat up
Just for lookin a little different
I guess the thing to do is just stay at home”

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